Tuesday 24 January 2012

Assignment 212 - Working to a Photo Imaging Project Brief conclusion

Project Title – LONDON`2012 CALENDAR

Steps I followed
  • Selected appropriate images for post-production;
  • Made selection of twelve photographs plus one for cover - suitable for the task;
  • Found appropriate website and submitted final images in BOOTS photo on-line service.

Estimate of Resources
  
  • Image selection, post-production and editing took me one week;
  • Research for numerous of sites providing photo creating into calendars, took me two days;
  • Funds to buy that service come from my own credit card.

Estimate of Time

  • Three months since I went to London in last November, where I shoot all my photographs;
  • Two weeks I spend researching for appropriate website and post processing my images suitable for uploading and printing;
  • About one week will take me to receive my printed calendar.

Estimate of Cost

Trip to London cost me around £200.00  ( train tickets, stay in hotel, tube pass to travel around London) plus print ordering £25.85  including delivery.


Legal and Ethical Considerations
  • Any image included are taken by me and has full copyright;
  • All images not showing any personal information of people( if shown);
  • All images do not break any obscenity or disability discrimination laws.  


All work was done with minimal assistance and high level of independence.

FINAL IMAGES - CITYSCAPE

Location photography covers a wide range of disciplines – from the captured image of a fleeting moment using existing light to the highly structured and preconceived advertising image using introduced light.

While ago I went to London hopping to do some practise in night photography. Unfortunately I wasn’t too successful in that and in order to present at least some of my work I made just  images as a fragments from my weekend in there which I will be presenting as my second theme in Location photography.

All pictures will be printed in this year’s calendar issue format, making nice flashback and giving different look to City of London captured by me.


 
 
 
 
      • SETUP LOCATION: City of London.
      • LIGHTING: Natural light, araound midday and evening.
      • LENS: WIDE ANGLE LENS  KIT LENS Nikon 18-55mm VR lens; TELEPHOTO Tamron AF 70-300mm lens.
      • CAMERA SETTINGS: I use Manual exposure mode, to get full control over Shutter speed and Aperture.
      • ACCESSORIES: Tripod Velbon DF-50.

Friday 20 January 2012

Research Theme 2 Location CITY

For my second theme II Location – City, I decided put all five photographers in one post…to make it more visible as all have one main thing in common…Big City. 

As I’m doing Calendar project for my unit 310 Photo Image output – all my images is taken in London, when I went try my skills in night photography. That time all my good intentions went to bin as I discovered I’m not so good in night photography after all. So as usual with some software help I making Black and White 2012 calendar based on photographs taken in capital, what turned out not so bad as I thought.

As I wanted to look other artist work I start more or less searching for some info in internet. Very useful for me was Flickr site, where you can find all sorts of photos from professionals and also from just amateurs.   
David Gutierrez

He is based in London, a self-taught photographer, specialising in architectural photography. Start his journey in photography in 2007, shooting in digital format and creating a collection of urban, architectural and night cityscapes.
I quite like his style, wish I was so good at night photography. All photographs are bursting with colour showing perfectly twisted night life in London. I suppose it’s good to live there to be able to capture all possible moments, as London rare is quite - always something going on -is like some sort of centre of the world and great object for photographers. 

Photos taken at night can produce spectacular results – in fact many cities present their best views after dark.
David Gutierrez certainly use that advantage showing perfect examples of a fairly long exposures, recording the light trails from the passing traffic.








one of mine:


Using a long exposure I manage to create a same effect, what probably is the only one decant image from that entire trip. I didn’t post process it yet, cause I thing some needs to improve a bit, but that I`ll leave for final image part.
Peter Marshall

Photographer, Writer: NUJ member
Current web sites:
London's Industrial Heritage: http://petermarshallphotos.co.uk/
The Buildings of London etc: http://londonphotographs.co.uk/

Studied photography as a short course during teacher training year in 1970-71, making use also of the opportunity to study media studies, film studies and gain practical experience behind a television camera. Since first portfolio in a photographic magazine in 1973 I have had worked in many books, newspapers, magazines and exhibitions.
Current photographic work falls into two distinct areas, both essentially documentary concerning the contemporary urban experience. Quite different, from a style and presentation, of previous artist. As Marshal - working in both b/w and colour on urban landscape and structures and also photographing people on the streets, mainly involved in activities such as demonstrations and festivals. 

As I was more interested on his architectural look of London I choose to post some of his early work captured urban surroundings of London.


Most collections of London pictures concentrate on the well-known tourist attractions. Marshall sets out to show the whole range London buildings, - exceptional and the typical, including industrial, commercial, domestic and other types of buildings. Nothing wrong with that! We all know how Big Ben looks, also  all great site see’s, but only few of us ever been outskirts of the big city, where you can find also excellent subject for photography.

 
Many of the sites in these pictures are no longer visible - demolished and redeveloped or tidied up and so on. These examples are from Marshall’s early work and probably will be hard to find any of those now.

When I’m going for a city shoots, I also like pay attention more of the beck streets rather than main attractions. Capturing doorways, posters, cafe corners, transport, tube makes me close to the big city, makes me more understand it`s rhythm what never stops. 

So as P.Marshall like artist more or less painted down town life with all his attention of that times details. Photographs based on good composition of building parts, showing architectural lines working well together with tone of the images captured with film camera in black&white.

My tube station:
Straight away you can see difference from film camera compeer to digital. Choosing go for lower ground was able to capture main part of London`s city, part what makes it all going.


Eugène Atget


One of the old masters, born in February 12, 1857, died August 4, 1927, when photography industry was only started to grow.

Documenting the architecture and street scenes of Paris gain his inspiration from the surrealists and other artists, but unfortunately his work only gained wide attention after his death.

Eugene Atget spent the early part of his photographic career building up a portfolio of work and clients in this field. His work included photographing old buildings, street vendors, architectural details and buildings that were about to be demolished.

Much of his work was aimed at artists and stage designers who would use his photographs as visual aids for their own work.

Atget used only an old wooden 18 x 24cm camera rather than anything modern at the time, as he said that they worked faster than he could think. The use of an old heavy camera and a wide-angle lens to capture more detail in his work often caused radical perspectives and vignetting in the upper corners.

He also liked to use long exposures and slow plate films which would cause halation and blurs from moving objects often working early in the morning to avoid people appearing in his work and in doing so some of his work appears very dreamlike and deserted.
Urban photography can cover many different aspects of our city landscape. The city provides its own unique lighting qualities from street lights, shop windows and car headlights. All of which can give the photographer many photography art options in creating an attractive image and to change the often stark and gritty urban landscape into something far more vibrant and exciting.

Shop window by me:


Reflections, shadows, people silhouette`s...all there in one window ...well shoving busy city life.

http://en.wikipedia.org/wiki/Eug%C3%A8ne_Atget





Christopher Holt

Find this photographer by a chance going through stock photos in Internet searching for good London images…He catch my eye with his simplicity, but also beauty of presentation of his home city.

Based in London and undertake various commissions. He also shoots stock photography for publishers. Graduated in Civil Engineering in 1994 and started freelance company in engineering and photography in 1999. Basically a local photographer, specialising in London views on an almost daily basis, continually adding new photographs to his existing work collection and also a member of the Association of Photographers based in London England. 

All photographs you can feel a style of London … it`s commercial potential…city that perhaps never sleeps. 
Listing Christopher’s gallery’s I found more interesting and inspiring materials for my project, shame I didn’t do that before I went to London. But probably biggest downside was my luck with poor weather conditions. If you look Holt`s photographs – full with different colour combinations, clear sky’s – beautiful, lifelike images. 

My special attention came across Big Ben unusual scene, captured a lot different way as we get used to it see everywhere. I’m not an expert, but probably that kind of effect was possible using long exposure with first curtain synchronisation as the burst of flash at the end gives a ghostly appearance to the subject, what we clearly can see in the first image. 

I like how is done and it’s not surprise me that this artist have satisfied customers all over the place as has been selling prints online since 2000.
All prints are made on real Fuji photographic paper.






Part of night London captured by me. A bit poor performance, but that time best I can come up with.:)

Jacki Key

 Country

New Zealand
Equipment
Cannon EOS 20D, Cannon EOS 300D, Canon 1D Mark III 
Last but not least is Jacki Key, as I believe young photographer from New Zealand, who catch my eye with incredible, perfectly post processed  images of London. That kind of art you often see on a posters and probably anyone are willing to pay the price for it.


Images I select to show you are a bit of everything what I love. Lower ground capture, black and whites, whit some hint of red and reflections...made with creative eye, which expresses vision of the city landscape, creating pictures with imagination and impact.

Specially last one...Reflected city image of shop window. These days environments more than at any other time, due to the many glass and metal constructed buildings, provide us with many opportunities to use reflections as a framework for our photography art. By simply taking advantage of that its possible to add another dimension to photographs it self.
As I already added the best of my London reflection above  with Eugene Atget photos there is one of mine familiar London scene, Big Ben, blurred traffic, Red London bus. 
I quite like that kind of style, its very much suits for posters, or black and white picture frames, what you can find in modern interior all around the country.


Jacki Key's work very much based to capture standard surroundings and more or less acceptable for most viewers. That's way probably I choose it as my favourite for this part of research. Images what nicely produced and well presented just made for admiring.


Take a look:




For each of my posted photograph has used varying photographic techniques to give the images impact and to present the viewer with a completely different experience of an every day scene. All we have to do fallow thous techniques such as:
  • Using unusual or creative camera angles
  • Using different shutter speeds
  • Choosing to use colour of black and white exposures.
  • Using natural light to create atmosphere
  • Creating space around a subject
  • Using the eyes natural movement to compose the subject in the frame.
Certain techniques and viewpoints of city landscape photography make the viewer to see the environment around them from a completely different viewpoint.


Thursday 12 January 2012

Assignment 212 - Working to a Photo Imaging Project Brief

For this assignment I use my second theme in Location Photography – Location City.

I intend to create a calendar for a fallowing year using photographs from my last years weekend in London.
Add caption

Project Title – LONDON`12


Steps to follow

As I have already images to work with, the fallowing steps will be:

  • Select appropriate images for post-production
  • Make selection of twelve photographs suitable for the task
  • Show to my tutor selected final images
  • Find appropriate website or software in order to create a calendar
Estimate of Resources

All estimates at the beginning of any project are the best guess when the project is initiated, these can be widely inaccurate depending upon the size and complexity of the project but should where possible take into consideration all know things at this time.
In this instance the resources relate to:
  • Time
  • Images available & possible editing
  • Numerous of sites providing photo creating into calendars
  • Funds to buy that services
Estimate of Time

Time is always a difficult factor to estimate, normally under estimation is what occurs as any day to day responsibilities take over and some tasks may take longer than anticipated and as usual time is my enemy, because no much time is left till end of the course.
So for this project the time estimate is around two weeks till final print and about one week to write a description about everything what was done.

Estimate of Cost

Again like Resource and Time cost estimates can vary in accuracy so in this case I have no idea how much will cost me to print calendar, so the best thing to do leave this point open.


Legal and Ethical Considerations

With any changes to processes and more so when the internet is incorporated there are both legal and ethical considerations to consider, the most important ones are identified below:

  • Any image included has full copyright
  • All people( if shown) are sign relevant consent forms (image release / age consent)
  • All images should not show any personal information of those shown
  • Any images do not break any obscenity or disability discrimination laws

My main aim for this unit is provide clear and consistent evidence of resource, time and cost estimation. Also - information, which indicates clear evidence of understanding and work, with a high level of independence.

Tuesday 3 January 2012

FINAL IMAGES - LANDSCAPE

I’m glad to present you with my final Landscape images regarding my Assignment 307 Location Photography (Theme I).

One of the most important parts of capturing a good landscape image is understanding quality of light…There are many terms to define the various qualities of light, such as soft or diffused light, hard light and so on, but the purpose of landscape photography – the most important part is knowing how the light interacts with the landscape at certain times a day.

For my first location I choose sea…who can blame me as its everyone`s photographers favourite subject. As I was telling you before I had a chance for two weekends went down to Cornwall, the most amazing places where I ever had been searching for best golden hour scenes – as the most part, the best time to photograph a landscape is just before sun rises and right before sun sets.

So going through all my hundred’s and hundred’s images I manage to get down to the most representable 22… from was even harder to choose final 10, as all 22 will be presented as a slide show.

 
 


      • SETUP LOCATION: Lizard Point to Lands’ End via Porthleven. Right by the edge of England most southern and western points.
      • LIGHTING: Early mornings and late afternoons – evenings, using all the best light of Magic hour.
      • LENS: WIDE ANGLE LENS Tamron’s SP AF 10-24mm F3.5-4.5 Di ; KIT LENS Nikon 18-55mm VR lens; TELEPHOTO Tamron AF 70-300mm lens.
      • CAMERA SETTINGS: I use Manual exposure mode, to get full control over Shutter speed and Aperture. Early mornings and evenings were captured using Bulb setting.
      • ACCESSORIES: Tripod Velbon DF-50 and various Cokin filters.

Final 10 descriptions will comes in the very end of the course together with theme II images.